RE: Microphones

From: Philip Horan (philip_horan@hotmail.com)
Date: Wed Feb 06 2002 - 15:11:01 PST


<html><div style=3D'background-color:'><DIV>&nbsp;
<P class=3DMsoNormal>&nbsp;</P>
<P class=3DMsoNormal style=3D"TEXT-INDENT: 36pt">On the topic of oil=85 m=
ay I add that the most important thing about applying oil to an instrumen=
t is to be careful to wipe off any excess especially around the tone hole=
s and utaguchi/root end.<SPAN style=3D"mso-spacerun: yes">&nbsp; </SPAN><=
/P>
<P class=3DMsoNormal style=3D"TEXT-INDENT: 36pt">Sorry I=92ve joined in t=
he discussion about instrument materials a little late. I=92m in the midd=
le of reading Takemitsu=92s writings and came across the following:</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 77.6pt 0pt 42.55pt"><SPAN style=
=3D"FONT-SIZE: 10pt"><SPAN style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>When John Ca=
ge talked to Master Watazumido, the famous hocchiku player, he wrote thes=
e words, which were published in the magazine <I>Sekai</I>:<?xml:namespac=
e prefix =3D o ns =3D "urn:schemas-microsoft-com:office:office" /><o:p></=
o:p></SPAN></P>
<P class=3DMsoBodyTextIndent style=3D"MARGIN-RIGHT: 77.6pt"><SPAN style=3D=
"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </SPAN>I decided to use a contact microphone=85if you =
touch this microphone to wood it picks up the vibrations of the wood itse=
lf, bringing them into audible range. Through this scientific achievement=
 new sounds can be heard.</P>
<P class=3DMsoNormal><SPAN style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Has anyone out the=
re tried this?</P>
<P class=3DMsoNormal><SPAN style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Someone mentioned =
the recorder in an earlier message. As a recorder player, I know that the=
 wood and the workmanship of the maker affect the timbre of the instrumen=
t; the grain of the wood and how the bore is reamed and finished (under a=
 microscope the bore is not as conical or cylindrical as one gauges from =
the naked eye). With a shakuhachi, there are many factors that may affect=
 the timbre including how the ji is applied and finished. Does anyone kno=
w who was first to apply ji to a shakuhachi? I think I read somewhere tha=
t it happened after the Meiji restoration. Any clues? Philip Horan.</P></=
DIV></div><br clear=3Dall><hr>Join the world=92s largest e-mail service w=
ith MSN Hotmail. <a href=3D'http://go.msn.com/bql/hmtag4_etl_EN.asp'>Clic=
k Here</a><br></html>



This archive was generated by hypermail 2b29 : Mon Feb 03 2003 - 09:09:50 PST