>
>
>But this is simply not true with minyo. When you play minyo the
>standard by which the listener perceives and enjoys or does not
>enjoy the music is pretty much universal. In the end the out of
>pitch, poorly paced honkyoku player can still find solace in being
>spiritual, mysterious and, by today's standards, musically
>provacative. The flat minyo player, however, is just some guy
>tooting out of tune.
Stav,
>What are you saying? Are you saying that it's best to be a bad
>honkyoku player than a bad minyo player? Are you contemplating
>which would be a better career choice?
Peter
>_____________________________________________
>
>List subscription information is at:
>http://communication.ucsd.edu/shaku/listsub.html
-- Peter Ross http://www.cloudhandsmusic.com APDO 542-4100 Grecia, Costa Rica Central America 011 (506) 494-5170 _____________________________________________List subscription information is at: http://communication.ucsd.edu/shaku/listsub.html
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