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<<Very mystical flutes both of them, in tune both with themselves and
with the universe. Any Komuso would be proud to carry one.>>
Well said. I am glad some here share my approach too. Again the great divide between technical perfection and that simple feel of just being right in the hand and heart despite not conforming to general ideas of what they should be.
Tony
-------------- Original message --------------
> On Feb 19, 2005, at 10:43 AM, Donald Shepherd wrote:
>
> > The two I received in 1998 from him had good scale intervals. They
> > were nominally 1.8 shaku long, about 21 1/2 inches, but ro was closer
> > to B flat than the proper D. The fatter one is my favorite. Its ro is
> > quite mystical and quiets my mind whenever I play it purposefully. The
> > thinner one has a bit of a preference for the upper octave over the
> > lower octave, though.
> >
> > I thought the "original" Komuso flutes were solo instruments only and
> > didn't have to be in tune with other instruments. My two Niemi flutes
> > certainly fit that description since each one is only in tune with
> > itself.
> >
> > Don
> >
> > _____________________________________________
> >
> > List subscription information is at:
> > http://communication.ucsd.edu/shaku/listsub.html
> >
> I have two of John's flutes among my many other instruments: a
> root-end shakuhachi which is about 1.8, and one of his black Tiger
> bamboo shakuhachis which is even longer (about 2.0). They both have
> good scale intervals. They are also what I would call Ji-nashi,
> wonderful windy flutes, all bamboo, with no inlaid utaguchi.
>
> Very mystical flutes both of them, in tune both with themselves and
> with the universe. Any Komuso would be proud to carry one.
>
> "Hearken to this reed forlorn,
> Breathing, even though was torn
> From it's bamboo bed, a strain
> Of impassioned Love and Pain.
> The Secret of its song, though near,
> None can see and All can Hear.
>
> _____________________________________________
>
> List subscription information is at:
> http://communication.ucsd.edu/shaku/listsub.html
--NextPart_Webmail_9m3u9jl4l_18188_1108835646_0
<html><body>
<DIV><<Very mystical flutes both of them, in tune both with themselves and <BR>with the universe. Any Komuso would be proud to carry one.>></DIV>
<DIV> </DIV>
<DIV>Well said. I am glad some here share my approach too. Again the great divide between technical perfection and that simple feel of just being right in the hand and heart despite not conforming to general ideas of what they should be.</DIV>
<DIV> </DIV>
<DIV>Tony<BR><BR></DIV>
<DIV> </DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR><BR>> On Feb 19, 2005, at 10:43 AM, Donald Shepherd wrote: <BR>> <BR>> > The two I received in 1998 from him had good scale intervals. They <BR>> > were nominally 1.8 shaku long, about 21 1/2 inches, but ro was closer <BR>> > to B flat than the proper D. The fatter one is my favorite. Its ro is <BR>> > quite mystical and quiets my mind whenever I play it purposefully. The <BR>> > thinner one has a bit of a preference for the upper octave over the <BR>> > lower octave, though. <BR>> > <BR>> > I thought the "original" Komuso flutes were solo instruments only and <BR>> > didn't have to be in tune with other instruments. My two Niemi flutes <BR>> > certainly fit that description since each one is only in tune with <BR>> > itself. <BR>> > <BR>> > Don <BR>> &!
gt; <BR>> > _____________________________________________ <BR>> > <BR>> > List subscription information is at: <BR>> > http://communication.ucsd.edu/shaku/listsub.html <BR>> > <BR>> I have two of John's flutes among my many other instruments: a <BR>> root-end shakuhachi which is about 1.8, and one of his black Tiger <BR>> bamboo shakuhachis which is even longer (about 2.0). They both have <BR>> good scale intervals. They are also what I would call Ji-nashi, <BR>> wonderful windy flutes, all bamboo, with no inlaid utaguchi. <BR>> <BR>> Very mystical flutes both of them, in tune both with themselves and <BR>> with the universe. Any Komuso would be proud to carry one. <BR>> <BR>> "Hearken to this reed forlorn, <BR>> Breathing, even though was torn <BR>> From it's bamboo bed, a strain <BR>> Of impassioned Love and Pain. <BR>> The Secret of its song, though near, <BR>> None can see and All can Hear. <BR>&!
gt; <BR>> _____________________________________________ <BR>> <B
R>> List subscription information is at: <BR>> http://communication.ucsd.edu/shaku/listsub.html </BLOCKQUOTE></body></html>
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