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A very good way to memorise a piece is to learn to sing it using the =
katakana names for notes. =20
One can practice productively even when not playing.=20
Subtle nuances may be more easily understood.
With modern music, singing allows a natural method of interpretation of =
complex phrases.
Many good teachers can sing the honkyoku at least as well as they play =
them.
It has often been a surprise to realise that a piece could be played =
from memory, but attempts to sing the piece were futile. The conclusion =
reached was that in learing to sing as well as play a piece, one could =
enter more deeply into the spirit of the music and truly know it "by =
heart".
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<META http-equiv=3DContent-Type content=3D"text/html; =
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<DIV><FONT face=3DArial size=3D2>A very good way to memorise a piece is =
to learn to=20
sing it using the katakana names for notes. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>One can practice productively even when =
not=20
playing. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subtle nuances may be more easily=20
understood.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>With modern music, singing allows a =
natural method=20
of interpretation of complex phrases.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Many good teachers can sing the =
honkyoku at least=20
as well as they play them.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>It has often been a surprise to realise =
that a=20
piece could be played from memory, but attempts to sing the piece were =
futile.=20
The conclusion reached was that in learing to sing as well as play a =
piece, one=20
could enter more deeply into the spirit of the music and truly know it =
"by=20
heart".</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV></BODY></HTML>
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This archive was generated by hypermail 2b29 : Tue Jan 08 2002 - 09:19:37 PST