I am sorry- the technology exists to make plastic shakuhachi that play li=
ke=20
the best. (Assuming the 'the material doesn't matter' theory is true.) I =
am=20
typing this email on a laptop with a much higher degree of exactitute in =
its=20
parts than any shakuhachi. It is just a matter of time to an industrial=20
engineer turns his eyes onto a shakuhachi...
>
>Tain't so,
>
>The shakuhachi bore when properly adjusted in the context of all
>other variables e.g. hole size and hole inner taper, wall thickness,
>etc.) is not simply a machineable taper with constant slope (to say
>nothing of the fact the almost all shakuhachi bores are curved in the
>bargain...), but it is PERTURBED. That is to say, the bore diameter
>is slightly larger or smaller at certain unique points along the
>inner length of the bore. These points can only really be optimally
>located by trial and expertise. The classic method is to get the
>overall bore in the ball park, then slip small wet pieces of paper
>into the bore at what might be the proper location--the wet paper
>lays on the surface of and within the bore and very slight changes
>the diameter at that point; play the flute. The response of the flute
>tells an experienced player/maker whether to increase or decrease the
>bore diameter at that point. One confoundig problem that is
>encountered is that many of these perturbations interact with others
>one may or may not have established--to pay Paul is to rob Peter--and
>achieving a balance across them all is where the Devil is in the
>details. Master builder lore has even generated seven "rooms" in the
>shakuhachi bore within which one might make adjustments.
>
>So, forget the CNC machine.
>
>eB
>
>
>>I am sure the technology exists to make a cheap and reliable
>>manafactured copy of an excellent shakuhachi bore without the help
>>of an assisting hand. For instance, the parts of an engine also
>>need to be shaped within a fraction of a milimeter in order to
>>function properly. The only difference is that the auto industry
>>has a bit more funding and research behind it than the shakuhachi
>>industry.
>>
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>
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This archive was generated by hypermail 2b29 : Mon Feb 03 2003 - 09:09:50 PST