At 01:42 PM 11/26/03 -0800, Joel Taylor wrote:
>...If you were really to take a honkyoku piece played by a great master,
>and closely examine all the Ds and all the Cs and all the Eflats played
>throughout the piece, you'd find that pitch was quite variable. Extremely
>so. Within a single performance, from one performance to another, and
>from one teacher to another.
And it's easy for Westerners to overlook pitch variation within a single note:
http://userpages.umbc.edu/~signell/take/
Karl
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