Dear Bruno, I too believe in this path also.. with each new breakthrough
there comes a subconscious, and understood awareness . a mind in process
without realizing the end result. tj
> From: Bruno Desch=EAnes <bruno@musis.ca>
> Reply-To: Shakuhachi@communication.ucsd.edu
> Date: Wed, 07 Apr 2004 14:29:57 -0400
> To: Shakuhachi@communication.ucsd.edu
> Subject: Re: [Shaku] RE: Pitch and Temp
>=20
> In a very personal vein, I practice somewhat in that way as suggested
> by Kyosei. I do not try to do it. I simply practice without really
> trying to do things. Sometimes my sound if awful, at some other times,
> it is okay, and some other it is good. But, suddenly, I realize that
> there is an improvement of some sort. My focus is about maintaining the
> discipline and everything else appears to fall into place gradually. I
> try to appl the Zen principle: doing by not doing.
>=20
> Bruno
>=20
> Le 04-04-07, =E0 14:07, KYOSEI1@aol.com a =E9crit :
>=20
>> From a Zen perspective the view is clear ( :>). If playing is part of
>> your spiritual path, then playing and practicing to deepen your
>> precision without being attached to it is the way to go. This requires
>> awareness of what you are doing, it does not permit you to say I'm on
>> a spiritual path and us it as an excuse for the lack of precision.
>> =A0
>> When you reach that precision, and your heart/mind will know it, you
>> will realize that you have been in that special place we call samadi
>> or that place of spiritual practice.
>> =A0
>> In Gassho,
>> Kyosei
>> =A0
>>=20
>=20
> Bruno Desch=EAnes
> -------------------------------------------------------------
> Bruno Desch=EAnes
> T=E9l.: (514) 277-4665
> E-mail: bruno@musis.ca
> Site Web: http://pages.infinit.net/musis/
>=20
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