Re: Kyorei

From: Gene (oldmanriver@alltel.net)
Date: Sat Nov 22 2003 - 06:54:28 PST


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Re: KyoreiThank you very much, Ronnie, I appreciate this greatly!=20

Gene

  ----- Original Message -----=20
  From: Ronnie Nyogetsu Seldin=20
  To: Bruce Jones=20
  Sent: Saturday, November 22, 2003 9:41 AM
  Subject: Re: Kyorei

    Hi Gene,

    To put it simply, these are different pieces. The SAN KOTEN of the =
Meian (or MYOAN) tradition, or three classical (oldest pieces) are KOKU, =
MUKAIJI, and REIBO. As you have mentioned, "Mukaiji Reibo," "Shin No =
Kyorei," and "Koku Reibo" are the KOTEN of the Kinko-Ryu. While sharing =
a cultural History, musically and compositionally the Kinko-Ryu pieces =
are quite different from the Fudaiji (Meian) pieces.

    The Fudaiji line pieces (which is the Jin Nyodo notation that I use =
as well) , can be called "Kyorei (Fudaiji)" or "Fudai-ji: KYOREI", or =
just plain Kyorei. Along with Mukaji and Koku (also Fudaiji line), these =
pieces are not only much older than the previously listed Kinko-Ryu =
pieces, but they are VERY different in every way.

    The Kinko-Ryu piece is usually referred to as Shin Kyorei (which =
means "new" Kyorei). The other two KOTEN pieces having the added "Reibo" =
(memory of the bell) is a reference , and in honor of- the bell that =
Fuke-Zenji would play.

    Kyotaku has been called the REAL oldest Honkyoku. Since it was lost =
over the ages, the attempt to recreate it is KYOREI (or false bell, or =
empty bell).

    The above is not the last word on these matters, only what my =
teacher Kurahashi Yodo taught me.

    The two people who have the best Academic understanding of all of =
these things (in my opinion) are Riley Lee and Ralph Samuelson. But I =
hope that I have helped a bit !

    Take Care,
    Ronnie

    Will some kind expert please set me straight here:
    =20
    I am told "Mukaiji Reibo," "Shin No Kyorei," and "Koku Reibo" are =
referred to as the three pieces of Bekkaku, or The Traditional Three, =
and are the most important of the Kinko Ryu Honkyoku.=20
    =20
    And I have read "Shin No Kyorei" is a Koten piece from the Kinko Ryu =
school, also apparently sometimes known as "Kyotaku", from a story of =
that same name. And I also see it referred to as "Kyorei (Fudaiji)" and =
"Fudai-ji: KYOREI".
    The International Shakuhachi Society, I note, refers to the piece as =
"Shin Kyorei", without the Japanese connecting word "no".
    =20
    And, finally, I am aware the Jin Nyodo #5 CD contains this masterful =
piece, and I believe I have a copy of Jin Nyodo's notation here before =
me now.
    =20
    But here's my question: Every time I refer to the piece as "Shin No =
Kyorei" I am abruptly corrected - without explanation - to "Kyorei."
    =20
    If what Jin Nyodo has recorded in his CD #5 is NOT "Shin No Kyorei", =
what happened to that piece? Where and when did it disappear? What is =
the musical difference between "Shin No Kyorei" and "Kyorei"? Why is it =
incorrect for me to refer to the piece as "Shin No Kyorei?"
    =20
    Thank you!
    =20
    Gene

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<HTML><HEAD><TITLE>Re: Kyorei</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1276" name=3DGENERATOR>
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<BODY bgColor=3D#ffffff>
<DIV>Thank you very much, Ronnie, I appreciate this greatly!&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Gene</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DNyogetsu@nyc.rr.com =
href=3D"mailto:Nyogetsu@nyc.rr.com">Ronnie Nyogetsu=20
  Seldin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DShakuhachi@communication.ucsd.edu=20
  href=3D"mailto:Shakuhachi@communication.ucsd.edu">Bruce Jones</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, November 22, =
2003 9:41=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Kyorei</DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE><FONT face=3DHelvetica><BR>Hi Gene,<BR><BR>To put it =
simply, these=20
    are different pieces. The SAN KOTEN &nbsp;of the Meian (or MYOAN) =
tradition,=20
    or three classical (oldest pieces) are KOKU, MUKAIJI, and REIBO. As =
you have=20
    mentioned, &nbsp;"Mukaiji Reibo," "Shin No Kyorei," and "Koku Reibo" =
are the=20
    KOTEN of the Kinko-Ryu. While sharing a cultural History, musically =
and=20
    compositionally the Kinko-Ryu pieces are quite different from the =
Fudaiji=20
    (Meian) pieces.<BR><BR>The Fudaiji line pieces (which is the Jin =
Nyodo=20
    notation that I use as well) , can be called &nbsp;"Kyorei =
(Fudaiji)" or=20
    "Fudai-ji: KYOREI", or just plain Kyorei. Along with Mukaji and Koku =
(also=20
    Fudaiji line), these pieces are not only much older than the =
previously=20
    listed Kinko-Ryu pieces, but they are VERY different in every=20
    way.<BR><BR>The Kinko-Ryu piece is usually referred to as Shin =
Kyorei (which=20
    means =93new=94 Kyorei). The other two KOTEN pieces having the added =
=93Reibo=94=20
    (memory of the bell) is a reference , and in honor of- &nbsp;the =
bell that=20
    Fuke-Zenji would play.<BR><BR>Kyotaku &nbsp;has been called the REAL =
oldest=20
    Honkyoku. Since it was lost over the ages, the attempt to recreate =
it is=20
    KYOREI (or false bell, or empty bell).<BR><BR>The above is not the =
last word=20
    on these matters, only what my teacher Kurahashi Yodo taught =
me.<BR><BR>The=20
    two people who have the best Academic understanding of all of these =
things=20
    (in my opinion) are Riley Lee and Ralph Samuelson. But I hope that I =
have=20
    helped a bit !<BR><BR>Take Care,<BR>Ronnie<BR><BR>Will some kind =
expert=20
    <I>please</I> set me straight here:<BR>&nbsp;<BR>I am told "Mukaiji =
Reibo,"=20
    "Shin No Kyorei," and "Koku Reibo" are referred to as the three =
pieces of=20
    Bekkaku, or The Traditional Three, and are the most important of the =
Kinko=20
    Ryu Honkyoku. <BR>&nbsp;<BR>And I have read "Shin No Kyorei" is a =
Koten=20
    piece from the Kinko Ryu school, also apparently sometimes known as=20
    "Kyotaku", from a story of that same name. &nbsp;And I also see it =
referred=20
    to as "Kyorei (Fudaiji)" and "Fudai-ji: KYOREI".<BR>The =
International=20
    Shakuhachi Society, I note, refers to the piece as "Shin Kyorei", =
without=20
    the Japanese connecting word "no".<BR>&nbsp;<BR>And, finally, I am =
aware the=20
    Jin Nyodo #5 CD contains this masterful piece, and I believe I have =
a copy=20
    of Jin Nyodo's notation here before me now.<BR>&nbsp;<BR>But here's =
my=20
    question: &nbsp;Every time I refer to the piece as "Shin No Kyorei" =
I am=20
    abruptly corrected - without explanation - to =
"Kyorei."<BR>&nbsp;<BR>If what=20
    Jin Nyodo has recorded in his CD #5 is NOT "Shin No Kyorei", what =
happened=20
    to that piece? &nbsp;Where and when did it disappear? &nbsp;What is =
the=20
    musical difference between "Shin No Kyorei" and "Kyorei"? &nbsp;Why =
is it=20
    incorrect for me to refer to the piece as "Shin No=20
    Kyorei?"<BR>&nbsp;<BR>Thank=20
  you!<BR>&nbsp;<BR>Gene<BR><BR></FONT></BLOCKQUOTE><FONT=20
face=3DHelvetica><BR></BLOCKQUOTE></FONT></BODY></HTML>

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